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IX Conference Participatory Democracy - Tentative Program Management Course Community

IX Conference on Participatory Democracy

New participatory practices: mechanisms, tools and technologies in governance

September 23, 2010

National Day of Political scientist / a

Manzana de las Luces - Peru 270 - CABA - 14 to 20 hours.

organize

Local Observatory of Participatory Democracy

Civil Partnership Mariano Moreno

Co-Funds

National Agency for Science and Technology Sponsorship

Faculty of Social Sciences, UBA

School of Law, UNMDP

Sociedad Argentina de Análisis Político SAAP

Municipal Affairs Secretariat, Ministry Interior's Office

Secretariat of Culture of the Nation

Argentina

Participatory Budget Network

Program

14 hours. Accreditation

14.30 hs. Opening . Opening and welcome.

• Ms. Elisa Bin - Civil Association President Mariano Moreno
• Mr. Paul Caruso - Argentina Red Participatory Budgeting

14.45 hs. Program Presentation

• Observatory of Participatory Democracy and Local Magazine Participatory Demos. "

charge of Mr. Moroni and Mr. Fernando Martínez Esther

15.00 hs. Panel: Local Management. Contributions of ICT `s in management processes public.

• Pablo Quiroga - Secretary of Planning - City of Chascomús.
• Alberto Eduardo Thill - Under Secretary for Management Technology - SGP - JGM - Government Alejandra Fonseca - Specializing in Virtual Environments
• Carlos Sortino - Participatory Budget Coordinator - La Plata

Stephanie Coordinates Otero - Mariano Moreno Civil Partnership

16 hours. Agora simultaneous Debate and Reflection Papers and Experiences

• limitations to democratic participation in public space. Access channels and mechanisms of citizenship.

Dr. Jorge Baletto coordinates.

• Impact of Information and Communication Technologies the mechanisms for citizen participation.

coordinate

Mr. Maira Bernis and Mr. Martin Barbaglia

• participatory methods in the process of Local Management and Governance. Coordinates. Mr. Rodrigo Borges and Mr. Nicholas Juncal.
• Paper Presentation: Critical Tolerance and Active Citizenship. Red Without Borders. Ana Maria Abuin coordinates.

17:30 hs. Café

18 hours. Panel: Citizen Participation in Public Management. Are there channels of accessibility to facilitate the relationship Civil Society and State?

Panelists invited to confirm:

• Ms. Sandra Russo - Journalist 678, Página/12 and Teaching in Journalism
Ms. Silvia
• La Ruffa - Metropolitan Policy Undersecretary of the Ministry Government, Province of Buenos Aires
• Dr. Peter Pírez - Professor of "Municipal Governments and Metropolitan Cities", UBA.
• Dr. Alberto Ford - Professor and researcher at the Faculty of Political Science RR II, UNR.

Coordinates Mr. Ricardo Romero - Mariano Moreno Civil Partnership

19.30 hs. Close . Delivery of awards and certificates.

Reports: info@asociacionmoreno.org.ar / www.asociacionmoreno.org.ar / www.ciudadparticipativa.org.ar

Kates Playground Vibrates

Alejandro Jaramillo Hoyos

Scenic Artist + performante
video producer. Experience in design, creative direction of communication strategies and cultural education.
studied psychology at the Universidad Nacional de Colombia, Master of Communication and Education in the Autonomous University of Barcelona; Graduate Cultural Cooperation at the University of Barcelona, \u200b\u200bInterdisciplinary MA in Theatre and Live Arts at the National University of Colombia. Performance



His latest stage show is called in this country no longer cook, which has the theme of social conflicts in Colombia and its impact on the decision to live or not live in the country.
has collaborated in performances with various artists such as Emilio García Wehbi (Jakob von Gunten: A Journal - National University, 2007), Leo Kadel (Art is war: Outcast - Festival Iberoamericano de Teatro de Bogotá, 2008), Juan Navarro (I have a dream: first convention masters and slaves - Fiesta Spain - Mapa Teatro, 2008), Malcolm Smith (Festival of Performance de Cali, 2008). Samples



Individual and collective:
- In this country no longer cook. Urban Kitchen. Quito. 2010.
- Monday and Tuesday performance at The Factory - L'explose. Bogotá. 2010
- Samples teachers performance in The Hub. Bogotá. 2009.
- Operation Antelope. Study. Bogotá. 2009.
- II International Living Arts. Art Museum of the Universidad Nacional de Colombia. Bogotá. 2009. Contact



Calle 74A No. 20C ajaramilloh@bt.unal.edu.co - 48 Mobile: 3108842034 Bogotá - Colombia




Work for

NO LOCAL

In this country no longer cook

Vehicle Wrapped In Animal

MAURICIO RIVERA SILVIA OSPINA


RIVERA MAURICIO Hainaut

Pereira, Colombia 1980. 2003 Bachelor of Fine Arts, Universidad Tecnológica de Pereira. 2008 Specialist in Digital Video Technologies and Online / Offline, Mecad-University de Caldas. 2008 - 2010 Advancement Master's Degree in Interactive Design and Creation of the University of Caldas. MAIN

solo and group exhibitions.
2003-Contemplations. Pereira Centro Colombo Americano. 2005-Evolution. Gallery Square House Bogota. 2006-Regional Picture V. Banco de la Republica de Manizales. 2007-In the body of another. Alliance Française de Colombo Pereira. 2008-Regional Picture VI. Banco de la Republica de Pereira. 2009
-Video Art, Look. Visual Implicit body - Explicit, International Film Festival of Cartagena. - Video performance, Sed. Cadiz Teatro, Bogotá. - Video performance, Look. 8 th International Festival of the Image Manizales. - Video performance, Look. Art Museum of the National University of Colombia at Bogotá. - 2009 - 2010 Hall Regional Artists West Central region. Armenia, Medellin, Barranquilla, Colombia. 2010 - Static Journey. Museo de Arte de Pereira.


PAPERS. 8 º Festival Internacional de la Imagen, academic forum. Manizales. Performance based on his practice as a method of obtaining knowledge of production and artistic authorship. Round table
work: 1. Design, cognition and knowledge transfer. . 13 Congress of Anthropology in Colombia Universidad de los Andes. Symposium Culture and Drugs. Remedy as experience
collaborative aesthetic performances

* 2004 - 2010, Professor of the University Foundation of the Andean Pereira, Colombia. For programs: fashion design and graphic design. Icon Group researcher and sticks the same university. Join


nolocal with the video performance VIRTUAL PAINT Paint
Virtual Synopsis: Video Art on a research-creation of the relations established between virtual environments with performance art and some American shamanic healing. Presents traditional healing purposes in the art institution (museum, Hall of artists) through relational strategies of co-authorship. Http://vimeo.com/9301623

White Spot On My Gum From Whitestrips

QUIÑONEZ. VERONICA






My personal history has been built in the end, because for me there is no middle ground. I am an artist living in day to day, I think there is no return, there is everything "days were better" nor do I believe that the future may be, only the present, the immediate is what allows us to survive. My memories, my memory is expressed in a work of art, the scar is the memory latency, is a mark on the body, is the experience that is full of pictures that hit my senses.

"... it is rather the memory of the experience. And as we all know, all have a bad memory, the memory always fades ... disappearing what interests me is the memory that is being forgotten and that's where my work fits ... "

The artwork helps us to think about memory and reinterpreting it. It is not about reliving a moment but closer to that time and somehow immortalize. Seeking to make scars in the memory, the memory materialized, and so the memory does not forget.

My work is to immortalize family experiences and change what it meant to live in the countryside to live in a city then, social conflicts. This work is autobiographical because it shows my experiences and what you interpret them. Are my problems and my ways of solving them. Coca and cocaine are the symbolic objects of my work by my proximity to the plant and its process, and the influence it has had on my personal and artistic development. The coca plant as a symbol, as a drug, such as business, as part of the Colombian icons.

One thing is how the government shows the production and consumption of a plant that they have been seen as cursed, prosecuted as a crime in any scale.
Another thing is the way it perceives the coca and cocaine from the comfort of a chair, a television control and flip-flops while you smell.
Another thing, is what I said, is to feel the entire process firsthand, be part of the alchemy and all that involves marketing. This artwork is the result of direct involvement and visual thinking all I've done so far derived from the process.

is important to me coca and cocaine, while seeking to legitimize the plant and the drug through art that people see the process behind their production and consumption, problems and answers it brings to society .